Max Slevogt
German Impressionist Painter, 1868-1932 German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.

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Max Slevogt Portrait of Julius Freund oil painting


Portrait of Julius Freund
1925(1925) Oil on canvas 110 x 81 cm (43.3 x 31.9 in) cjr
Painting ID::  78107
Max Slevogt
Portrait of Julius Freund
1925(1925) Oil on canvas 110 x 81 cm (43.3 x 31.9 in) cjr
   
   
     

Max Slevogt Portrait of Julius Freund oil painting


Portrait of Julius Freund
1925(1925) Medium Oil on canvas Dimensions 110 x 81 cm (43.3 x 31.9 in) cyf
Painting ID::  81440
Max Slevogt
Portrait of Julius Freund
1925(1925) Medium Oil on canvas Dimensions 110 x 81 cm (43.3 x 31.9 in) cyf
   
   
     

Max Slevogt Unter einem Baum oil painting


Unter einem Baum
Date 1901(1901) Medium Oil on canvas Dimensions 58.5 x 76.5 cm (23 x 30.1 in) cjr
Painting ID::  83431
Max Slevogt
Unter einem Baum
Date 1901(1901) Medium Oil on canvas Dimensions 58.5 x 76.5 cm (23 x 30.1 in) cjr
   
   
     

Max Slevogt Familie Slevogt im Garten von Godramstein oil painting


Familie Slevogt im Garten von Godramstein
Medium Oil on canvas Dimensions 160 x 200 cm (63 x 78.7 in) cjr
Painting ID::  86006
Max Slevogt
Familie Slevogt im Garten von Godramstein
Medium Oil on canvas Dimensions 160 x 200 cm (63 x 78.7 in) cjr
   
   
     

Max Slevogt Heide und Baume oil painting


Heide und Baume
Date 1910(1910) Medium Oil on canvas Dimensions 70.2 x 60.2 cm (27.6 x 23.7 in) cjr
Painting ID::  87600
Max Slevogt
Heide und Baume
Date 1910(1910) Medium Oil on canvas Dimensions 70.2 x 60.2 cm (27.6 x 23.7 in) cjr
   
   
     

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     Max Slevogt
     German Impressionist Painter, 1868-1932 German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.

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